Washington, DC…10 minutes until showtime!
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Washington, DC…10 minutes until showtime!
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Washington, DC…10 minutes until showtime!
One of the most remarkable pieces was created live in 2007 at a charity event held at Mar-a-Lago—years before the 2016 election. This six-foot-tall portrait captured attention worldwide and became a symbol of triumph and tenacity, passing through various hands before finding its way into my private collection. Its journey reflects the twists and turns of destiny, much like the man it portrays.
Other stories are equally fascinating:
And now, history has been painted again. Patriotic Prints commissioned my latest creation, the “45-47” portrait, boldly predicting President Trump’s triumphant return in 2024. This piece was create well before the 2024 election and celebrates resilience, leadership, and patriotism. Limited-edition prints are now available, giving you the opportunity to own a piece of this exciting journey.
This collection isn’t just about art—it’s about history, passion, and the unyielding spirit of the American dream.
📸 Swipe to see the artworks, the journey, and exclusive moments featuring President Trump and First Lady Melania Trump.
Discover more and secure your limited-edition print at https://patrioticprintsusa.com.
Let’s continue making history together!
#TrumpArt #PresidentialPortrait #ArtWithAStory #MakingHistory #Patriotism #AmericanArt
Unleashing the Extraordinary: Michael Israel’s “Burlesque” Transforms Fundraising in the Midst of COVID Lockdown!
In the face of adversity during the COVID lockdown, artist extraordinaire Michael Israel dared to defy limitations and brought forth an awe-inspiring spectacle like no other. On Valentine’s Day, he orchestrated an adult-themed live-action art performance titled “Burlesque” that mesmerized audiences on a virtual streaming platform. This groundbreaking event was not only a mesmerizing showcase of artistry but also a vital initiative to generate funds and keep the Works4Charity program alive.
“Burlesque” was a harmonious blend of captivating choreography, breathtaking art, and the electric energy that only Michael Israel could bring to life. As the virtual curtains lifted, viewers were transported into a world where artistic expression and philanthropy intertwined seamlessly. The stage became a canvas, and Michael’s brush strokes transformed into stunning movements, capturing the essence of passion and seduction.
But this performance was more than just entertainment. It was a lifeline for the Works4Charity program. With the lockdown hindering traditional fundraising efforts, “Burlesque” became a beacon of hope, uniting art enthusiasts and philanthropists worldwide. The funds generated through this groundbreaking event breathed new life into the Works4Charity program, ensuring that its impactful mission of giving back to the community could continue.
In the face of adversity, Michael Israel’s determination and creativity shone through. He not only brought joy and inspiration to countless individuals during these challenging times but also demonstrated the remarkable power of art to ignite change. “Burlesque” was a testament to the resilience of human spirit and the unwavering commitment to making a difference, even in the darkest of times.
As we reflect on this groundbreaking event, let us celebrate the indomitable spirit of Michael Israel and the Works4Charity program. Together, we can overcome any obstacle and create a better world through the transformative power of art and philanthropy.
In the aftermath of Hurricane Helena, I want to take a moment to express my deepest gratitude and respect to all of the incredible emergency workers who have risked so much to help others. Your bravery, tireless dedication, and selflessness have been nothing short of inspiring during these challenging times.
To the families and communities who have been affected by this disaster, my heart goes out to you. The devastation, loss, and heartache you have faced are unimaginable. Know that you are in my thoughts, and I am standing with you in solidarity as we move forward, together.
No words can fully capture the strength and resilience I’ve seen in both the heroes on the frontlines and the survivors rebuilding their lives. Let’s continue to support one another, lean on one another, and rise above this tragedy with hope and unity.
We will get through this—together.
With love and respect,
Michael Israel
You’re not going to believe this… I couldn’t dream it up!
Picture this: I’m juggling show dates like crazy—sometimes getting up to eight calls for the exact same night. Talk about high-class problems, right?
Media from Berkshire Hathaway performance
Well, in the midst of this booking frenzy, my show manager gets a call that still feels surreal:
Let that sink in—the most prestigious business gathering on the planet, with 30,000 millionaire shareholders and press from every corner of the globe. No pressure, right?
Stage for 6 AM show at Quest Center entrance
But here’s the kicker: I was already booked, not just for that day, but for a string of shows leading right up to the Berkshire event. Two days earlier, I’d be at the Reno-Tahoe Open. The next night, I’d fly to Peoria, Illinois, to perform for the Peoria Promise. And immediately after that, I was due in Palm Springs for the Arthritis Foundation (there’s a hilarious story about girl at that show with a secret, but I’ll save it for the end…)
When my show manager explained that I was already booked for these charity galas, the Berkshire folks offered a mind-blowing solution:
“We’ll send one of Warren Buffett’s private jets to pick you up.”
They wanted me to perform at 6 AM before the doors even opened, leaving plenty of time to zip off to Palm Springs afterward. Looking back, it was insane—stressful, exhausting, and yeah, I probably should’ve asked for double pay!
To pull this off, my show manager flew ahead to Tahoe and Peoria, making sure every detail was dialed in. If any event ran late, everything would crumble like a house of cards. Mayor Jim Ardis of Peoria Promise was an absolute rock star—he loved the performance so much the first year, he asked me back. This time, he even arranged a security escort to hustle me out before fans could swarm me. Good call, Jim!
Limo to airport with box dinner
Right at 11 PM, I did my final brushstroke and “Dropped the Brush” in Peoria, said my goodbyes, and raced—still covered in dripping paint—through the crowd to a waiting limo lined with plastic.
I’m guessing you would not have this problem but, when you are covered in wet paint and it dries, it is stiff, itchy and very uncomfortable…
Fortunately, I had prepare a change of clothes.
The cool thing about flying on a Private jet. There’s, No TSA. No lines. The limo pulls right up to the jet and on you go… in this case no luggage, just a boxed dinner, and wheels up for Omaha. My luggage had been forwarded earlier.
Buffett Private Jet
Quest Center Omaha
I’ll be honest: I’m from sunny South Florida, so 70 degrees already feels chilly. Omaha was sitting at a brisk 30.
My only ask?
Well… let’s just say that didn’t exactly happen.
At the crack of dawn, I dragged myself to the convention center. Rows of bleachers crammed with international press. My adrenaline was sky-high. They told me Warren would not be attending—he had a busy day ahead, dealing with 80+ companies. I mentally breathed a sigh of relief… until I spotted him strolling out minutes before I was about to go on.
Warren Buffett came to see Michael paint
Then came the announcement:
Cue the music, the cameras, the lights—I turn to my paint, dip in my brushes, and… they come out like pudding pops. Frozen!
Press gather from across the globe to report on Michael’s painting
The music’s roaring, there’s no way to stop. So I just went for it. Painted with pudding pops in front of 30,000 people, cameras rolling, Warren Buffett watching.
It was a blur of color and cold fingers. Eight minutes later, against all odds, a towering portrait of Warren Buffett materialized on the canvas.
Sponsored by Benjamin Moore Paints
then Warren himself steps up to the stage, only to be stopped by security who cautioned, “Wet paint…”
He just grinned and said, “I own the stage. Move.”
He extended his hand for a handshake, but one glance at my paint-soaked fingers told him, Nope.
He laughed, I laughed—“Maybe next time.”
We chatted briefly.
A custom frame, media, and a crowd of people were waiting inside the convention center.
Guards escort portrait into the Quest Center
And me? After painting and hanging a bit with Mr. Buffett, I sprinted right back to the jet, off to Palm Springs for another performance.
Warren adds his signature to the canvas
Wild? Absolutely. Exhausting? You bet. But it was the thrill of a lifetime, a moment I’ll never forget. Sometimes, perseverance (and maybe a dash of insanity) leads to the most unforgettable stories.
FYI – Months after the event, the portrait sold for $100,000 benefiting Girls Inc. of Omaha just after a major market crash. I can only imagine what it would have gone for if it had been auctioned during the Shareholders’ Meeting.
For Fans:
My art isn’t just about painting—it’s about passion under pressure and you never know what will happen at each new event. No matter the challenges, a little grit (and maybe a private jet or two) can turn a near-disaster into a jaw-dropping memory.
For Collectors:
Live art forged in high-stakes scenarios comes with a story—and that story can add priceless character and value to a piece. My works aren’t just paintings; they’re captured moments in time. When you buy a piece, you own the experience.
For Corporate Meeting Planners:
Want an event no one forgets? Or to make your message unforgettable? A high-energy art performance with a mind-blowing finale is the spark that leaves a lasting impression—and leaves your attendees buzzing.
For Charities:
The right artwork and message can translate into big support and unforgettable moments. Art resonates on an emotional level, sparking generosity and goodwill that can elevate any fundraiser bringing new sponsorships, admission ticket sales, and inspiring donation like never before.
I said my goodbyes that morning in Omaha and jetted to Palm Springs for my next show that same night. I hate sitting around in my dressing room before a show—I’d much rather be out meeting people. If they don’t recognize me, I don’t mention I’m the headliner they came to see… LOL, it’s fun to see when they finally figure it out. Sometimes, I’ll chat with a little old lady about her cat collection, other times, I don’t get to play it low-key when I am booked to do the whole celebrity Meet & Greet in the VIP section. Either way, I meet a lot of interesting people.
On this night in Palm Springs… Before my show, I met a stunning woman. Who told me she worked for a magazine but didn’t say much more. She came over after my show and we hit it off instantly—great conversation, lots of laughs. We spent the evening “chatting” (as one does), and eventually, she let slip that the magazine was Penthouse. She said it so casually like she was just another office worker putting together layouts and editing articles.
Purley for research purposes
Curious—but, of course, purely for research purposes—I picked up a copy at the airport on my way home. Flipping through the pages, I turned one, then two… and then—BAM! There she was, spread across multiple pages in all her editorial excellence.
That’s when it hit me: Just like I don’t go around boasting that I’m the headliner, she didn’t feel the need to mention she was the main feature!
Moral of the story? Maybe I should stick around a little longer at events—you never know what kind of surprises the location might have in store! 😏